![]() Edward Burne Jones, A Record and Review, George Bell and Sons, 1892). among the arabesques of the vine and in the latter, the Poet and half length figure of Music, were painted on the outside, while the decoration was completed by ELEVEN LITTLE CIRCULAR PANELS AROUND THE SIDES REPRESENTING THE STORY OF ORPHEUS." (M. The two sides of the lid "were treated as separate complete panels, the inside being covered in the former year, with the nude figure of earth, surrounded by a swarm of babies. Jean-Baptiste-Camille Corot, Wounded Eurydice, 1868/70, Art Institute of Chicago, Chicago. Made as a decoration of a grand piano, undertaken by E.B.J. Dense and rapidly executed, this drawing shows an artist freely exploring a subject for his own creative purposes. Suzann Sines Orpheus and Eurydice, 1636-1637, Flemish School, Oil. They chose a tennis ball to represent a universally sized object, from which you Pierre Marcel-Beronneau Rainer Maria Rilke Portrait Painting. Eurydice sinking back to Hades by Henrietta Rae (Mrs. (14 x 10.2 cm) trimmed to the platemark Classification: Prints Credit Line: Gift of Henry Walters, 1917 Accession Number: 17.37.170 Learn more about this artwork How Engravings are Made An illustrated explainer. 159095 Medium: Engraving, 2nd state Dimensions: 5 1/2 x 4 in. Work on the British Museum's Waddeson Bequest website and their The Reproduction will be hand-painted by one of our talented artists. Artist: Agostino Carracci (Italian, Bologna 15571602 Parma) Date: ca. ![]() Relative size of this object is displayed using code inspired by Artwork Details Overview Signatures, Inscriptions, and Markings Provenance Title: Orpheus, returning from Hades without Eurydice Maker: Marie Alexandre Lucien Coudray (born 1864) Date: 189399, struck in the 20th century Culture: French, Paris Medium: Partially patinated iron Dimensions: Confirmed: 5/16 × 2 11/16 in.
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